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Posts Tagged ‘in our heads’

  

Ok, so here’s a reminder of the Top 20 that led us to this point:

20. Gossip – Move in the Right Direction 

19. M.I.A – Bad Girls

18. A-Trak, Mark Foster & Kimbra – Warrior

17. Ellie Goulding – Lights

16. Ed Sheeran – Small Bump

15. Goldfrapp – Melancholy Sky / Yellow Halo

14. Rudimental – Feel the Love

13. Major Lazer – Get Free

12. Calvin Harris – Feel So Close

11. Nicola Roberts – Memory of You

10. Fun. – We Are Young

9. Nicki Minaj – Starships

8. Santigold – Disparate Youth

7. Florence & The Machine – Never Let Me Go

6. Icona Pop – I Love It


So let’s get back to it…Because I know that absolutely noone everyone is dying to know what the Top 5 are!

5. Hot Chip – Flutes

Hot Chip are like that amazingly hot boyfriend/girlfriend that all your mates love, is a demon in the sack and cooks you a shit hot brekky in the morning. One day, like that partner, Hot Chip won’t be around and everyone will realise what fuckwits they’ve been for neglecting them.

It took me a while to comprehend the brilliance of Flutes. Unconventional and chaotic yet utterly clever, it’s a challenging mind-fuck of modern dance. It’s also an exceptional piece of work and more exciting than anything else on radio right now.

Unfortunately, the vision hasn’t transferred to the video clip – the camera literally spins for a full minute like it was attached to Regan’s head from The Exorcist. Five spews out of five.

4. Drake & Rihanna – Take Care

More people have worked on this song than Joan Rivers’ face.

Originally a track by the late and great Gil Scott-Heron, Jamie xx of The xx remixed the shit out of it. Drake then picked it up and rapped over it, ultimately inviting Rihanna to sing the chorus.

I’m a big believer in both Drake and Rihanna’s talents, but the pair have generally made public defence quite difficult in the past. Rihanna’s had some scorching tracks (Umbrella being a milestone) but this is the best thing either have, or probable ever will do.

It’s a dark and downtempo R&B/hip-hop affair, with Rihanna’s vocals never sounding better and lyrics that actually involve a thought process, “I know you’ve been hurt by someone else, I can tell by the way you carry yourself, if you let me, here’s what I’ll do, I’ll take care of you.”

Oh…and check out the Florence & The Machine version. No words.

3. Rebecca Ferguson – Glitter & Gold

The most obvious single choice on Ferguson’s sensational album Heaven, Glitter & Gold comes across as Sade’s honey vocals covering Amy Winehouse’s motown pop.

Effortlessly memorable and unique, the track is a prime example of why Ferguson took the UK’s pop crown in 2011. What makes listening to Rebecca Ferguson so amazing, beyond her one-of-a-kind voice and reinvention of classic genres, is that she clearly writes the music herself. When Ferguson sings, it is unquestionable that she sings from experience, “All that glitter and gold won’t buy you happy when you’ve been bought and sold.”

A fitting statement from someone who stuck her middle finger up at the music exes so she could write her own CD. In countless syndications of infinite reality shows, second place X-Factor contestant Rebecca did the impossible last year, she made reality TV credible.

2. Michael Kiwanuka – Home Again

What an exceptionally moving piece of music. I want this song to be played at my funeral, which at the current rate of alcohol consumption, should be in September. It’s BYO by the way…

1. Lana Del Rey – Blue Jeans

When I leave voicemails on a guy’s phone after one date, “I will love til the end of time,” it doesn’t go down well. When Lana Del Rey swoons over a gorgeous indie pop ballad, it’s grandiose and epically romantic.

People lost their shit over Video Games, but if you ask me, it’s all about Blue Jeans. There’s also the ambitious Azealia Banks remix from Smims & Belle) but whatever you do, don’t watch her performance on Saturday Night Live. It sounds like Chewbecca passing a kidney stone.

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With five releases in less than a decade, electronica gurus Hot Chip tend to deliver albums the same way Katherine Heigl delivers fucking awful romantic comedies  – relentlessly. Despite this sizeable catalogue, quality hasn’t been remotely compromised and it had appeared that Hot Chip had reached a career peak with their fourth release, One Life Stand. As infectious as it was fluent, One Life Stand was a concept album that championed playfulness over pretentiousness.

Don’t be fooled by the heard-it-all-before feeling of the first official single “Night & Day” people, for it sounds nothing like the rest of the In Our Heads. It also stands alone as the disappointment of an otherwise near-flawless masterpiece.

Album opener “Motion Sickness” is a swaggering horn and percussion declaration to doubters that they best look elsewhere for disappointment – there’s nothing to see here. They back it up with the gloriously 80s duo of “How Do You Do?” and “Don’t Deny Your Heart,” the latter particularly shines.

Where Hot Chip really excel is on pseudo-single “Flutes.” Unconventional and chaotic yet utterly clever, it’s a challenging mind-fuck of modern dance. It’s also an exceptional piece of work and more exciting than anything else on radio right now.

It doesn’t stop there. At seven minutes and 41 seconds, “Let Me Be Him” is like a pass-the-parcel game where everybody wins, with one layer of lyrical and melodic excellence revealed after another. A mid-tempo tour de force, the “Oh-uh-ohs” of the chorus are stirring and epic – some of their best work to date.

Enthusiasts of One Life Stand will find plenty of reasons to be excited by In Our Heads, but Hot Chip’s experimentation and constant progression mean continuously welcoming new fans with open arms. Whatever’s in their heads, we’re lucky they’ve written it down on paper. 4.5 stars.

Key Tracks: Flutes, Motion Sickness, Let Me Be Him

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