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Posts Tagged ‘rebecca ferguson’

  

Ok, so here’s a reminder of the Top 20 that led us to this point:

20. Gossip – Move in the Right Direction 

19. M.I.A – Bad Girls

18. A-Trak, Mark Foster & Kimbra – Warrior

17. Ellie Goulding – Lights

16. Ed Sheeran – Small Bump

15. Goldfrapp – Melancholy Sky / Yellow Halo

14. Rudimental – Feel the Love

13. Major Lazer – Get Free

12. Calvin Harris – Feel So Close

11. Nicola Roberts – Memory of You

10. Fun. – We Are Young

9. Nicki Minaj – Starships

8. Santigold – Disparate Youth

7. Florence & The Machine – Never Let Me Go

6. Icona Pop – I Love It


So let’s get back to it…Because I know that absolutely noone everyone is dying to know what the Top 5 are!

5. Hot Chip – Flutes

Hot Chip are like that amazingly hot boyfriend/girlfriend that all your mates love, is a demon in the sack and cooks you a shit hot brekky in the morning. One day, like that partner, Hot Chip won’t be around and everyone will realise what fuckwits they’ve been for neglecting them.

It took me a while to comprehend the brilliance of Flutes. Unconventional and chaotic yet utterly clever, it’s a challenging mind-fuck of modern dance. It’s also an exceptional piece of work and more exciting than anything else on radio right now.

Unfortunately, the vision hasn’t transferred to the video clip – the camera literally spins for a full minute like it was attached to Regan’s head from The Exorcist. Five spews out of five.

4. Drake & Rihanna – Take Care

More people have worked on this song than Joan Rivers’ face.

Originally a track by the late and great Gil Scott-Heron, Jamie xx of The xx remixed the shit out of it. Drake then picked it up and rapped over it, ultimately inviting Rihanna to sing the chorus.

I’m a big believer in both Drake and Rihanna’s talents, but the pair have generally made public defence quite difficult in the past. Rihanna’s had some scorching tracks (Umbrella being a milestone) but this is the best thing either have, or probable ever will do.

It’s a dark and downtempo R&B/hip-hop affair, with Rihanna’s vocals never sounding better and lyrics that actually involve a thought process, “I know you’ve been hurt by someone else, I can tell by the way you carry yourself, if you let me, here’s what I’ll do, I’ll take care of you.”

Oh…and check out the Florence & The Machine version. No words.

3. Rebecca Ferguson – Glitter & Gold

The most obvious single choice on Ferguson’s sensational album Heaven, Glitter & Gold comes across as Sade’s honey vocals covering Amy Winehouse’s motown pop.

Effortlessly memorable and unique, the track is a prime example of why Ferguson took the UK’s pop crown in 2011. What makes listening to Rebecca Ferguson so amazing, beyond her one-of-a-kind voice and reinvention of classic genres, is that she clearly writes the music herself. When Ferguson sings, it is unquestionable that she sings from experience, “All that glitter and gold won’t buy you happy when you’ve been bought and sold.”

A fitting statement from someone who stuck her middle finger up at the music exes so she could write her own CD. In countless syndications of infinite reality shows, second place X-Factor contestant Rebecca did the impossible last year, she made reality TV credible.

2. Michael Kiwanuka – Home Again

What an exceptionally moving piece of music. I want this song to be played at my funeral, which at the current rate of alcohol consumption, should be in September. It’s BYO by the way…

1. Lana Del Rey – Blue Jeans

When I leave voicemails on a guy’s phone after one date, “I will love til the end of time,” it doesn’t go down well. When Lana Del Rey swoons over a gorgeous indie pop ballad, it’s grandiose and epically romantic.

People lost their shit over Video Games, but if you ask me, it’s all about Blue Jeans. There’s also the ambitious Azealia Banks remix from Smims & Belle) but whatever you do, don’t watch her performance on Saturday Night Live. It sounds like Chewbecca passing a kidney stone.

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Rebecca Ferguson – Glitter & Gold 

The most obvious single choice on Ferguson’s sensational album Heaven, “Glitter & Gold” comes across as Sade’s honey vocals covering Amy Winehouse’s motown pop.

Effortlessly memorable and unique, the track is a prime example of why Ferguson took the UK’s pop crown in 2011. What makes listening to Rebecca Ferguson so amazing, beyond her one-of-a-kind voice and reinvention of classic genres, is that she clearly writes the music herself. When Ferguson sings, it is unquestionable that she sings from experience, “All that glitter and gold won’t buy you happy when you’ve been bought and sold.”

A fitting statement from someone who stuck her middle finger up at the music exes so she could write her own CD. 4.5 stars.

Paloma Faith – Picking Up The Pieces

When Paloma Faith emerged in 2009 as yet another Winehouse, Duffy or Adele, her arrival was met with groans – surely not another by-the-numbers, nostalgic siren?

The sceptics were silenced when Faith’s debut, Do You Want the Truth or Something Beautiful, achieved solid reviews and sold half a million copies in her native UK, without the aid of a hit single. Most importantly, she established her own identity in the process.

Enlisting the production know-how of Nellee Hooper (Bjork, No Doubt, Madonna, Garbage, U2 and Massive Attack, basically anyone amazing), “Picking up the Pieces” has all the ingredients for a classic, but lies just short.

Paloma Faith’s strength lies in two aspects; her soaring vocals and her ability to create stories that resonate with the masses. The all-too-familiar tale of competing with a partner’s ex, “Picking up the Pieces” stays true to Faith’s previous work, while concurrently steering into an anthemic territory.

While it doesn’t deliver the goods as a lead single, Faith’s debut album suggested she is more interested in releasing fluent albums than three singles and filler. 3.5 stars.

360 – Child

After the runaway success of the dub/hip-hop masterpiece, “Boys Like You”, featuring the amazing Gossling, 360 had a hard act to follow with his next single. This feat is even harder when you consider that he’d already released three singles before “Boys Like You” slayed radio.

“Child” features a catchy loop and doesn’t stray too far from his proven formula, but ultimately falls very short of “Boys Like You.” In saying that, 360’s album was condensed with amazing tracks and a strong contender against Hilltop Hoods as Australia’s best hip-hopper. 3 stars.

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